Jazz-funk/jazz de Nueva Orleans: «Get the Picture» y «Vieux Carre» [ESP/ENG]

In 2004 Trombone Shorty introduced 12 & Shorty, Keep Swingin with his brother James and Trombone Shorty Meets Lionel Ferbos with New Orleans jazz trumpeter Lionel Ferbos. In 2005 he toured the world with singer, multi-instrumentalist, songwriter and record producer of folk, blues, jazz, rhythm and blues, rock, soul, funk, pop, reggae and ballads Lenny Kravitz. He also presented The End of the Beginning and Orleans & Claiborne, both of New Orleans jazz, and took part in the band New Orleans Social Club to record an album of aid the victims of Hurricane Katrina. In 2006 he worked with record producer Bob Ezrin and played with the famous rock groups U2 and Green Day.

Fuente

Shorty also performed in Cuba and Europe, attended the North Sea Jazz Festival, the Vienna Jazz Festival and the Istanbul Jazz Festival, and appeared on the NBC television series Studio 60 on the Sunset Strip with a band of New Orleans musicians. In 2007 he contributed to Oh, My Nola by singer, songwriter, actor and television host Harry Connick, Jr. and his big band; Goin’ Home: A Tribute to Fats Domino produced by Vanguard Records with the participation of numerous artists; and Marsalis Music Honors Bob French edited by the Marsalis Music label, founded by Brandford Marsalis. Fats Domino was a pioneering rock and roll singer, pianist and songwriter, and Bob French was a jazz drummer and broadcaster on New Orleans’ WWOZ radio.

Fuente

En el 2008 colaboró en Tufflove de la jam band de New Orleans de rhythm and blues, funk y hip hop Galactic. En el 2009 Shorty creó la jam band Trombone Shorty & Orleans Avenue compuesta por él mismo cantando y tocando el trombón, BK Jackson al saxofón tenor, Dan Oestreicher al saxofón barítono, Pete Murano a la guitarra, Michael Ballard al bajo eléctrico y Joey Peebles a la batería. Él llama a su música «supafunkrock», que es una mezcla de jazz de Nueva Orleans, rhythm and blues, soul, funk, pop/rock, hip hop y pinceladas de heavy metal, intentando abrirse a la mayor audiencia posible, y su grupo se hizo popular por sus impresionantes actuaciones en directo. Los puristas del jazz rechazan este popurrí, pero muchos otros consideran que marca el camino del futuro de este género, que se nutre de las fusiones.

Fuente

Translated with the help of DeepL

Fuente

Fuente

℗ Verve Records